For a while, I have been thinking around how a viewer
considers authenticity in photography, especially while Artificial Intelligence
becomes an increasing presence within the visual arts world. As with all
my photography, there is absolutely no AI used at any stage. Nevertheless,
there are many choices I make in the creation of images, and I wonder
how they may relate to images feeling more or less authentic.
I believe a sense of authenticity relates to our expectations as a viewer,
how natural an image may be to our own experience of the world. How we
understand the intention behind the image also plays a part. l am interested
in the ways my role as a photographer can affect how such things are felt
by the viewer, and whether the perceived purpose of an image makes a difference
to how it might be accepted.
With this in mind, two sets of photographs are presented here, both feature
portraits of the same person, firstly made in an informal casual setting,
and then later in a photographic studio with time limitations and a different
purpose behind the session.
The first set of photographs shown here continues the series of portrait
sessions made casually in cafe spaces over a drink and a chat, in contrast
to the constructed environments of photographic studios or a formal location
shoot. As explained in the series
introduction, the informality of the one-on-one time encourages honest
conversation and an openness which can lead to a different kind of portrait
that is perhaps more genuine, freed from some of the traits we might use
to protect ourselves from the wider world.
These informal portrait photosets are titled in a way that references
something around the conversation, a topic or a phrase said. Without further
context, the titles may sometimes seem nonsensical, but I believe that
encourages the viewer to use their imagination and challenge any first
impression presumptions. Gestures and emotions do not betray confidential
private aspects of conversations, and present only the visual half of
the story, but I believe they represent aspects that are universally human,
relatable whether the person photographed is known or not.
The second photoset, made in the studio, appears to show a quite different
personality, one that is more performative and extroverted. My own influence
has certainly played a role, in my direction throughout the shoot, but
many of the poses were collaborative decisions. Perhaps there are commonalities
to be found between the two sessions regardless. It may be that the images
from both sessions are equally authentic, just highlighting different
aspects of complex human personality.
Many of the photographs can be viewed slightly larger on my Instagram,
where I can also respond to any questions or comments, or feel free to
contact me another way.
I'm Not Sure if I Should Be Encouraged or Worried About What You Just
Said features Rob Trendy of ShotbyTrendy
at a gallery space in Brighton called Helm.
Fancy a chat over a cuppa while I photograph you? Feel free to contact
me.
(Published 27/05/2026)
© GREIG CLIFFORD.
ALL IMAGES ARE SUBJECT TO COPYRIGHT LAWS.
ALL RIGHTS RESERVED.
Cookies